Clockwise Cat / Gold Wake Press

Issue 15 of Clockwise Cat is out, containing three pieces of poultry (thank you, Alison...). They’re from a suite I wrote a while back, called, well, “Dead End on Progressive Ave.” Also in this issue are the wonderful Ethel Rohan, Reynard Seifert, Nathan Tyree, Nathaniel Tower, Felino Soriano, and many many others. There's also some crazy-bananas artwork by Jeff Crouch here and here.

Also, over at Gold Wake, Zachary Bush has a new echap up called "How This Man Breaks," along with new echaps by Sarah K. Bell, Michael Bernstein, Felino Soriano and Juliet Cook. Peep game, yo...

Tracking Lawn Enforcement

I used to think those paper snowflakes we cut out in kindergarten were actual size, then wondered why I never saw one.

Scissors were just a metaphor, why picket-fence paper dolls holding hands were so easily cut from the peaceful protest of friendship’s perimeter.

Years later I read some magazine article about sweatshops and wondered why those teachers needed us to make those snowflakes.

I wanted to know what countries were in the market for winter.

Where in the world would demand cold weather simulated for lack-of-supply’s sake, bought just because it could be sold?

Then I figured out school was just probationary, a trial period to single out those better suited to enter the workforce, as our “foremen” sent performance memos home to our parents.

And the hinges on those scissors were just latches on the gates where the weakest, unoiled aspects of our union could creak open for mailmen to walk safely across the freshly cut grass and reach those boxes.

And that’s maybe why shoveling became a law—

Otherwise they couldn’t deliver without leaving a print.

Diaries from 'The Quarantine Ceremony'...


Catch 22 Algebraic
Just born…

On our scheduled date of release from the hospital, two days after you were born, we have to sign these papers indicating custody rights and such, and, when we get to the receptionist, just before discharge, she explains what these papers say: that, basically, since your mom and I aren’t married, if we break up, your mom gets you and I have no chance of even taking the case to court, and I ask this woman, your mom standing beside me, just as a joke, “What if she’s not fit to be a mother?” “That’s for the courts to decide,” she says. “But, if I sign this,” I say, “I can’t take her to court.” “Yes sir,” she says, “right here by the X.”


Barring Lesbianism
Three months old…

Changing your diapers, I fear the worst—to think I’m the first, but certainly not the last, man to ever take off your pants.


Snack
Six months old…

You put your foot in your mouth and I say: “Save that for when you start talking.”


Helping Cripples Avoid Catastrophe
Nine months old…

This morning you crawled over to a sunbeam that fell on the floor, tried clutching it in your hand as if the house’s knees would buckle without its crutch.


Freudian Bananas
One year old…

It’s hard for me to know how or when to say the right things, as hard I suppose for you to say anything. It’s easy to say the wrong things when words you don’t want stumble their way off the throat’s elevator, only to slip on the tongue’s wet peel.


Notes on the Blackboard
One year old…

With all I teach you, I feel more and more these days that I’m the student learning from you, because, even as I jot this down, I’m actually reading that you’ve always been the pen, and I’m the notebook you’ve been writing in, the tape recorder you’ve been quoting me with, your words coming out of my mouth before you ever speak.


Set in Sway
Two years old…

Your hybrid eyelids are Venus fly traps, clamping their jaws around the insects and raw hamburger meat of everything I do, and, through your changing seasons, Fatherhood is a palm tree in California.


The Felt Island
Two years old…

After your mom and I broke up, after she asked me to leave, I felt I was under quarantine, exiled from her, from you—my family. For Christmas that year, I bought you all the Thomas and Friends train set stuff I could find because it was your favorite show. You loved it, though maybe not as much as I did. Building the Island of Sodor, where Thomas the Tank Engine lives, stretching lengths of green felt over a 5x5 piece of plywood, stapling the edges to the underside, putting those tracks together, setting up the little stations—it gave me something to do, something to get my mind off where I was living, where I was in my life. It gave me something to do with myself when you weren’t here—while I wasn’t there, with you, your mom. You could come visit me on my island. Those train tracks and all the trains with happy faces on them, they would be something you couldn’t wait to come over to my place for—if not me. You’d get excited about your Thomas and Friends train set, but really I was the one who cared about it, who needed it. It had to be perfect—if nothing else could be. And we’d play, pretend things were different, and I would board one of those trains with you in my arms and we’d go far, far away, to where your mom waited for us, to where we all shared a home close by.


Gravitational Sonar
Three years old…

Talking to you on the phone at your mom’s house, you hold the phone upside down so the receiver is near your mouth and the mouthpiece is on your ear. I can barely hear you. You’re so far away, more than it actually feels like not living with you, here in exile, broken, banished, feeling like I’ve lost direction, and you turn the phone right-side up, say, “Did you feel like you were upside down, Dada?” “Yes,” I say, “I felt like a bat with no wings, like I was going to fall on my head, so I’m happy you turned me back up the right way.” “You weren’t scared, were you?” you say. “No, just worried my feet wouldn’t be strong enough to fall back on.”


Late Video to Blockbuster
Three years old…

Paying your mom child support, it feels too much like I’m renting you. I wish I could rewind this movie to the part when your mom still loved me. I’d never return it.


Curiously Vicarious
Three years old…

Your mom and I, we stopped holding each other’s hands one day—I don’t remember why, and it’s not really that important, I guess. Not now. I’ve lost her, and that’s all I can say to make sense of how broken I am, so I think back to before your mom and I had our first drink together, before I got big out of control with it, and I realize, after all that time without you ever being born, you’re the only reason I was ever still going to be alive now. You’re the story of my life, being lived through you, for you.


The Good Will Drop-Off
Four years old…

I could give you directions—I could show you the right way to go, but I knew the first time I saw you tie your shoes all by yourself you’d draw your own maps to follow, and one day you’d come home, tell me about all the places you’ve been—and one day you’d bring me back your shoes so I could examine the mazes carved into their soles to find I was the one who was lost.


Delivery
Four years old…

It’s all so routine, the time we spend using up the time we have, and waiting—I used to spend all day with you before your mom got home so I could go to sleep before work. Now you’re in preschool, and I’ve finally stopped working overnights, but now that I don’t live with you I can only see you in the morning to pick you up at your mom’s and drop you off at preschool where sometimes you cry because you don’t want me to go. I get a car ride. I get a whole car ride to see you, to look at you through a rearview mirror. But there are Sundays, and you sleep over my place. My week spent working, sending off poems to be rejected, looking forward to seeing you and waiting for mail that never seems to come—I think of you being born and the only day I get to spend with you as the one day of the week the Post Office is closed.


The Age of Innocence
Five years old…

I fear that age you’ll soon reach when you don’t believe Santa is a real person. Not that I wanted to’ve lied to you all those years, not that I wanted you to feel you couldn’t trust me. I just fear that age you’ll soon reach, that same age when I won’t know you no longer believe in some stupid, corporate gimmick because you’ve stopped talking to me altogether, that same age you’ll soon reach when I won’t know whether or not you’re drinking, doing drugs, having sex—all the things I’ve done to find you.


Time’s Leprosy
Five years old…

You want a tattoo, like I have. I get you a temporary one for a quarter from a gumball machine. It’s of a mermaid with wings, and when it begins to fall off you ask if you’ll grow a new one, like a flower blooming from your skin’s soil, and I think of all the permanent things we lose in life, and of life itself being the one thing we never think of like a limb, as if we’re all just pickup trucks and when we hit the really big bumps all the lumber left in us slides out the back of the flatbed—but all we think about is driving, we have to keep driving, so I think of driving to see you every morning, to pick you up for preschool, and the moment you run out your door smiling with your arms open makes me feel like an immortal who refuses to act his age.


UPDATE: For more excerpts from The Quarantine Ceremony, please visit elimae, elimae and Thunderclap!.

Energy and Matter

When I don’t get any email for a long time, like, responses to submissions, I start getting all paranoid that editors all over the United States are conspiring against me, sending secret emails to each other, saying: This guy’s an idiot, or This kid’s garbage, or No one talk to him ever again. I waste a lot of energy on this.

When I’m scared of something it helps to think, What are you worried about? This doesn't matter, or it won't in the long run. There's nothing to worry about or be afraid of. That makes me feel better, until a moment later when I think, Shouldn't this matter? Why doesn't this matter?

Adult problems are much bigger when you’re an adult. When you’re a kid, all you have to worry about are things that’ll big mess you up for the rest of your life, causing all your adult problems.

I’ve never been interviewed. I imagine having a microphone allergy. Shoved into my face at a press conference, a bouquet of them’ll make me sneeze. I’ll blow my nose. I’ll lay down in the grass on my tummy. My chin on my hands, legs bent up at the knees, feet crossed in the air, explaining myself to the flowers. When I’m finished they’ll ask too many questions. I won’t know how to respond.

Some Things

Spilt Milk is off to a good start. J.A. Tyler has a great new piece up over there called "of nails." Warm Milk Press also has its first print chapbook coming out in February 2010, David Peak's Museum of Fucked. Submissions are open for Spilt Milk, so do it up.

Mel Bosworth's chapbook When the Cats Razzed the Chickens will be dope. It will.

Ethel Rohan's story "Gold" up at Wigleaf is really good, as is her postcard. I'm also big digging Matt Bell's "Cain, Caleb, Cameron."

Roxane Gay's stories at Hobart and HaHa Clever are sick.

Brandi Wells' stories in the new Ghoti are really good. Also in this issue are poems by actress Mia Sara (Ferris Bueller's Day Off, Legend). That's crazy-bananas.

David Erlewine's three stories in Necessary Fiction are really good.

In the new Pax Americana I really like this story by Molly Gaudry. Jimmy Chen, Sam Pink, J.A. Tyler and many others, too, have some great work there.

Skydive

There are so many people in the world.
I don’t know if that makes global warming worse.
The world’s maybe a big gymnasium.
The more humans breathing, moving, sweating, the hotter the gym gets.
Doing the parachute in gym was my favorite when I was little.
The whole class working together, lifting the parachute up.
Two of us would run under it, switching places.
The parachute became an umbrella.
I look up at the sky and it becomes an umbrella, then a parachute.
Then I become a puppet connected to strings hung from the parachute.
The sky’s falling, and it’s my parachute so I’m falling with it, from it.
The world controlling my movements, skydiving onto a mattress.
I’m seriously thinking about investing in General Motors.

News from Planet Pear Noir! / Leaving The Zoo

From the editors at Pear Noir!:

The lineup for Pear Noir! #3 is finally complete. Our list of contributors is as follows:

R.A. Allen, Eric Beeny, Andrew Borgstrom, Megan Boyle, Ron Burch, Edmond Caldwell, Jesse Cataldo, Jimmy Chen, Evan Cleveland, Ryan Dilbert, Russell Edson, David Fishkind, Roxane Gay, Ben Greenman, Bridgette E. Hahn, Mickey Hess, Christopher Higgs, Robert Hinderliter, Lily Hoang, Emily Hockaday, Rich Ives, Kendra Grant Malone, Sally Wen Mao, Chris Moran, Dan Moreau, Jay Pabarue, Michelle Reale, Andrew Reger, Katelyn Romaine, Peter Shippy, Noel Sloboda, Lee Minh Sloca, Chris Smith, Curtis Smith, Garrett Socol, Audri Sousa, John Dermot Woods, Barry Yourgrau, and Postcard Single Series: Audri Sousa and Kendra Grant Malone

This looks like a lot of fun. I'm big looking forward to it...

Also, unfortunately we've left The Zoo, and now we take a long, sad trip home in the dark, falling asleep against the back-seat window. We'll wake up better for having gone...

Spilt Milk / The Medulla Review / elimae

It’s November 1rst, which means three things:

1) The inaugural issue of Spilt Milk is up, featuring two chapters from my novel Lepers and Mannequins, "Accessory" and "Display" (thank you Ben, Jen and Kyle…).

2) The inaugural issue of The Medulla Review is up, containing, among the likes of Ethel Rohan, J.A. Tyler, and Adam Moorad, two small chapters from The Immortals Act Their Age, "Frontal Lobotomy" and "Abandonment Issues" (thank you, Jennifer…).

3) A new issue of elimae is up, including, among the likes of Howie Good, Sean Lovelace, Andrew Borgstrom, J.A. Tyler and many others, a tiny chapter from The Immortals… called “Attendance” (thank you, Coop…).